Another evening of the best symphonic music in the world with stunning pyrotechnic and fireworks finale! Classic pieces include The Sorcerer’s Apprentice, immortalised by Mickey Mouse in Disney’s Fantasia, Tchaikovsky’s rousing Polonaise and Waltz from Eugene Onegin, Borodin’s fiery Polovtsian Dances and instantly recognisable pieces by Dvořák, Sibelius and Elgar, as well as music from film maestro John Williams.

Smetana’s joyous overture from The Bartered Bride is at the heart of what comic opera is all about: drama, excitement and bold character. Folk-like elements and bold, rich orchestrations bring it to life, making it one of the most exciting overtures ever composed. Written at the end of Dvořák’s three-year contract in New York, the Cello Concerto reflects some of his American experiences but is at the same time filled with the spirit of his beloved Bohemia where he longed to return. It contains some of his most memorable melodies and one of the loveliest of horn solos, and by placing the solo cello into a variety of constantly changing instrumental combinations the result is most delicate and translucent. Beethoven’s Seventh Symphony’s appeal is not hard to understand. Described by Wagner as “the apotheosis of the dance”, with boundless energy and rhythmic impetus the music rages forward, almost demonically, with climax after climax, right to the brilliant final notes and one of the most thrilling endings in all music.

Smetana’s joyous overture from The Bartered Bride is at the heart of what comic opera is all about: drama, excitement and bold character. Folk-like elements and bold, rich orchestrations bring it to life, making it one of the most exciting overtures ever composed. Written at the end of Dvořák’s three-year contract in New York, the Cello Concerto reflects some of his American experiences but is at the same time filled with the spirit of his beloved Bohemia where he longed to return. It contains some of his most memorable melodies and one of the loveliest of horn solos, and by placing the solo cello into a variety of constantly changing instrumental combinations the result is most delicate and translucent. Beethoven’s Seventh Symphony’s appeal is not hard to understand. Described by Wagner as “the apotheosis of the dance”, with boundless energy and rhythmic impetus the music rages forward, almost demonically, with climax after climax, right to the brilliant final notes and one of the most thrilling endings in all music.

Smetana’s joyous overture from The Bartered Bride is at the heart of what comic opera is all about: drama, excitement and bold character. Folk-like elements and bold, rich orchestrations bring it to life, making it one of the most exciting overtures ever composed. Written at the end of Dvořák’s three-year contract in New York, the Cello Concerto reflects some of his American experiences but is at the same time filled with the spirit of his beloved Bohemia where he longed to return. It contains some of his most memorable melodies and one of the loveliest of horn solos, and by placing the solo cello into a variety of constantly changing instrumental combinations the result is most delicate and translucent. Beethoven’s Seventh Symphony’s appeal is not hard to understand. Described by Wagner as “the apotheosis of the dance”, with boundless energy and rhythmic impetus the music rages forward, almost demonically, with climax after climax, right to the brilliant final notes and one of the most thrilling endings in all music.

Mendelssohn’s musical postcard of a trip to the remote island of Staffa is more of a tone poem than an overture in the traditional sense. It conjures up a whole seascape including the grandeur of Fingal’s Cave, the swelling of the sea, the light on the water and the fury of the waves breaking on the monumental cliffs. Mozart’s Piano Concerto No.21 is built on a fully symphonic scale, with an orchestral backing that matches the solo part for interest and variety. Forcefulness, elegance and wit are perfectly balanced. The dreamlike andante is based on the simplest of materials; its effect is magical, whilst the concluding rondo echoes with the laughter of comic opera. Beethoven’s Seventh Symphony’s appeal is not hard to understand. Described by Wagner as “the apotheosis of the dance”, with boundless energy and rhythmic impetus the music rages forward, almost demonically, with climax after climax, right to the brilliant final notes and one of the most thrilling endings in all music.

Join Magna Sinfonia as they open their 10th anniversary season with a concert of celebration: Shostakovich's Festive Overture, Gershwin's Rhapsody in Blue and Glazunov's Symphony No. 5. We are delighted to be joined by conductor Enyi Okpara, current Calleva Assistant Conductor of the Bournemouth Symphony Orchestra and soloist Sam Hanson for this exuberant programme in the beautiful surroundings of St Peter's Church in Parkstone.

The UK’s most popular classical music station returns to the Royal Albert Hall for a 25th anniversary musical extravaganza – Classic FM Live at 25!
 
The renowned Bournemouth Symphony Orchestra and 100-strong Bournemouth Symphony Chorus, conducted by Mark Wigglesworth, will perform anthems including Handel’s ‘Zadok the Priest’, Parry’s ‘Jerusalem’ and Puccini’s great aria – made famous by Luciano Pavarotti – ‘Nessun dorma’.
 
There will be performances from special guest artists: renowned bass-baritone Sir Bryn Terfel will make a special appearance in his 60th birthday year, and composer Sir John Rutter will conduct his own much-loved choral music as part of his 80th birthday celebrations. Plus, there will be performances from violinist Esther Abrami, tenor Pene Pati, Classic FM’s composer in residence Debbie Wiseman OBE, and Diana Newell, winner of Channel 4’s The Piano.
 
Classic FM presenters will be on stage to host this special concert with other musical highlights including the ‘Grand March’ from Verdi’s Aida, Khachaturian’s Adagio of Spartacus and Phrygia, and Piazzolla’s ‘Libertango’.
 
With a breathtaking lights-and-fireworks finale, this is your chance to experience one of the year’s most unforgettable classical events. Secure your seat now!

The LSO East London Academy aims to identify and develop the potential of young East Londoners between the ages of 11 and 18.

A free programme of inspirational coaching and sessions, delivered by LSO musicians, offers high level training for young musicians who show exceptional promise, accelerating their instrumental learning, confidence and aspirations.

The LSO East London Academy aims to represent the diversity of East London, particularly encouraging young musicians from backgrounds currently under-represented in professional orchestras to take part and continue their instrumental learning, including those that experience financial, cultural and practical barriers – a step towards facilitating wider diversification of the professional classical music sector.

Dvořák’s ebullient overture is one of three composed on the themes of nature, life and love. It depicts the high-spirited tumult of a festive carnival setting – barkers, vendors, boisterous crowds, although it is interrupted with a tinge of melancholy. Bruch’s Violin Concerto is one of the most popular and performed of any in the repertoire, beloved by both violinists and audiences alike. Capturing a heartfelt romantic allure with its lush and memorable themes, excellent solo writing, and impeccable pacing, it exploits virtually everything the violin can do in the hands of a master: from dramatic multi-stopped chords to soulful singing in the instrument’s husky low register all the way to its sparkling top. Modelled after Wagner but with Humperdinck’s own brand of instantly loveable songs and remarkable gift for melody, Hansel and Gretel almost glows with its innocence and peaceful spirit. Swan Lake is, without question, the greatest Romantic ballets of all time. A passionate love story with music to match, Tchaikovsky’s genius lies in the musical embodiment of the characters – the elegance of the swans, Odile’s allure, and Rothbart’s malice. From the sweeping romanticism of the “swan theme” to the celebratory waltzes and iconic national dances, the beautifully evocative score never fails to make a powerful impact.

Dvořák’s ebullient overture is one of three composed on the themes of nature, life and love. It depicts the high-spirited tumult of a festive carnival setting – barkers, vendors, boisterous crowds, although it is interrupted with a tinge of melancholy. Bruch’s Violin Concerto is one of the most popular and performed of any in the repertoire, beloved by both violinists and audiences alike. Capturing a heartfelt romantic allure with its lush and memorable themes, excellent solo writing, and impeccable pacing, it exploits virtually everything the violin can do in the hands of a master: from dramatic multi-stopped chords to soulful singing in the instrument’s husky low register all the way to its sparkling top. Modelled after Wagner but with Humperdinck’s own brand of instantly loveable songs and remarkable gift for melody, Hansel and Gretel almost glows with its innocence and peaceful spirit. Swan Lake is, without question, the greatest Romantic ballets of all time. A passionate love story with music to match, Tchaikovsky’s genius lies in the musical embodiment of the characters – the elegance of the swans, Odile’s allure, and Rothbart’s malice. From the sweeping romanticism of the “swan theme” to the celebratory waltzes and iconic national dances, the beautifully evocative score never fails to make a powerful impact.

The swirling majesty and joyous sounds of the traditional Viennese Gala will see you spinning into the New Year with a flourish! Merry waltzes, polkas and marches from Johann Strauss II, his family and contemporaries fill this sparkling concert evening that will transport you from your seat in the concert hall all the way into the traditional gala halls of Vienna.

This evening of joyous music includes all of Strauss’ greats such as the Fledermaus Overture, Thunder and Lightning Polka, Radetzky March and, of course, The Blue Danube! This beguiling performance that will ensure a glamorous start to your New Year!

Designed for KS2 students, these thrilling and interactive concerts will be presented by award-winning composer, James Redwood. Explore the Orchestra: Four Elements will feature music that seeks to uncover the mysteries of the four elements that make up our natural world and inspires scientific discovery.

Designed for KS2 students, these thrilling and interactive concerts will be presented by award-winning composer, James Redwood. Explore the Orchestra: Four Elements will feature music that seeks to uncover the mysteries of the four elements that make up our natural world and inspires scientific discovery.

Designed for KS2 students, these thrilling and interactive concerts will be presented by award-winning composer, James Redwood. Explore the Orchestra: Four Elements will feature music that seeks to uncover the mysteries of the four elements that make up our natural world and inspires scientific discovery.

Celebrate Valentine’s Day with an evening of luscious symphonic classics offering some of the most romantic melodies ever written. The concert features the sensuous slow movements from three of the finest concertos for piano and Richard Addinsall’s Warsaw Concerto, as well as love themes from silver screen masterpieces by Ennio Morricone, James Horner and John Williams Also included is Wagner’s musical love letter and Tchaikovsky’s passionate overture to Shakespeare’s star-crossed lovers, Romeo and Juliet. Make sure you make a date and treat a loved one!

Designed for KS2 students, these thrilling and interactive concerts will be presented by award-winning composer, James Redwood. Explore the Orchestra: Four Elements will feature music that seeks to uncover the mysteries of the four elements that make up our natural world and inspires scientific discovery.

Join the incredible 13 and 14 year olds of NCO 2025 for their film themed family concert. Led by conductor Enyi Okpara, with soloist Anna Lapwood, you’ll hear what this music means to our young musicians as they bring to life for all the family.

From terrace chants such as ‘Blue Moon’ and ‘Glory Glory Man United’ belted at full volume, to iconic anthems echoing across stadiums, the voices of centuries of die-hard fans have formed the soundtracks for football clubs across the nation.

This concert, performed on pitch at the National Football Museum, celebrates the drama and passion of the nation’s most beloved sport.

Not only does the music of football set the atmosphere alight in stadiums everywhere, but it also proudly embodies the culture and identity of the cities and communities that shape our nation.

The earliest recorded football chant is believed to have been written by composer Sir Edward Elgar in 1898: “He Banged the Leather for Goal”, in tribute to Wolverhampton Wanderers striker, Billy Malpass.

One of the pieces we will feature is James MacMillan’s Eleven. It begins with the sound of a referee’s whistle before two eleven-note themes are thrown around between wind and strings, as if they are two opposing teams.

In this concert, you’ll enjoy familiar football anthems, a mix of local and international chants, and music inspired by the world’s favourite sport.

Manchester is a city united by football. This concert is a celebration of the music that sets the rhythm and heartbeat to our love for the beautiful game.

From terrace chants such as ‘Blue Moon’ and ‘Glory Glory Man United’ belted at full volume, to iconic anthems echoing across stadiums, the voices of centuries of die-hard fans have formed the soundtracks for football clubs across the nation.

This concert, performed on pitch at the National Football Museum, celebrates the drama and passion of the nation’s most beloved sport.

Not only does the music of football set the atmosphere alight in stadiums everywhere, but it also proudly embodies the culture and identity of the cities and communities that shape our nation.

The earliest recorded football chant is believed to have been written by composer Sir Edward Elgar in 1898: “He Banged the Leather for Goal”, in tribute to Wolverhampton Wanderers striker, Billy Malpass.

One of the pieces we will feature is James MacMillan’s Eleven. It begins with the sound of a referee’s whistle before two eleven-note themes are thrown around between wind and strings, as if they are two opposing teams.

In this concert, you’ll enjoy familiar football anthems, a mix of local and international chants, and music inspired by the world’s favourite sport.

Manchester is a city united by football. This concert is a celebration of the music that sets the rhythm and heartbeat to our love for the beautiful game.

Bax’s Tintagel is a piece deeply entwined with the South West, not just because of the ruined castle which inspired it, but also through its connection to English folklore and mythology and its windswept coasts. Sir Dan conducted the premiere in Bournemouth in 1921 The influence of Mozart is apparent throughout Beethoven’s C major Piano Concerto. The piano’s role ornaments the orchestral material, but the broad artistic expressiveness shows Beethoven’s embrace of the emerging Romantic mood of the day. Vaughan Williams’ Fifth Symphony is one of hope written at a time of raging war. It emerges from a dreamlike stillness. Gradually the orchestra is brought to life through playful dialogue reaching its emotional zenith in the gloriously stirring Romanza, before a series of exuberant variations reach a sudden halt. The music subsides back to its mysterious opening and finally rests in hushed transcendence.

Designed for KS2 students, these thrilling and interactive concerts will be presented by award-winning composer, James Redwood. 

Designed for KS2 students, these thrilling and interactive concerts will be presented by award-winning composer, James Redwood. 

Designed for KS2 students, these thrilling and interactive concerts will be presented by award-winning composer, James Redwood. 

Designed for KS2 students, these thrilling and interactive concerts will be presented by award-winning composer, James Redwood. 

Programme TBA but to include Shostakovich’s mighty Fifth Symphony.

Programme TBA but to include John Pickard’s Sea-change and Rimsky Korsakov’s Scheherazade

Programme TBA but to include John Pickard’s Sea-change and Rimsky Korsakov’s Scheherazade

Programme TBA but to include John Pickard’s Sea-change and Rimsky Korsakov’s Scheherazade

Programme TBA but to include John Pickard’s Sea-change and Rimsky Korsakov’s Scheherazade